![]() ![]() Following in the footsteps of KBLX, Lawrence Tanter of KUTE in Greater Los Angeles changed his station to an all-day quiet storm format from January 1984 until September 1987, playing "a hybrid that incorporates pop, jazz, fusion, international, and urban music". In 1993, Harper took ill and Champaine continued the program as Quiet Storm II. In the New York tri-state late night market, Vaughn Harper deejayed the quiet storm graveyard program for WBLS-FM which he developed with co-host Champaine in mid-1983. In the San Francisco Bay Area, KBLX-FM expanded the night-time concept into a 24-hour quiet storm format in 1979. with a core black, urban listenership adopted a similar format for its graveyard slot. ![]() The format was an immediate success, becoming so popular that within a few years, virtually every station in the U.S. "The Quiet Storm" was four hours of melodically soulful music that provided an intimate, laid-back mood for late-night listening, and that was the key to its tremendous appeal among adult audiences. The song developed into Lindsey's theme music which introduced his time slot every night. The name of the show came from the Smokey Robinson song "Quiet Storm", from his 1975 album A Quiet Storm. The response from listeners was positive, and WHUR station manager Cathy Hughes soon gave Lindsey and Shuler their own show. Lindsey's on-air voice was silky smooth, and the music selections were initially old, slow romantic songs from black artists of the 1950s, 1960s, and 1970s, a form of easy listening which Lindsey called "beautiful black music" for African Americans. He came roaring back to prominence with a new album - Man Against Machine - and his biggest tour ever, bringing his combination of passion, poetry, and pure fun back to the world at large again.Melvin Lindsey, a student at Howard University, with his classmate Jack Shuler, began as disc jockeys for WHUR in June 1976, performing as stand-ins for an absentee employee. Apart from a few stray songs and a handful of benefit performances, Brooks was out of the limelight until 2014. ![]() When he went into retirement following that album, millions of fans mourned his absence. In the years to come, with chart-topping singles like "Friends in Low Places," "The Thunder Rolls," and "The Dance," he melded the influences of old-school country, pop, and rock 'n' roll to create a new amalgam that forged the template for modern country for decades to come.Īll the way through to 1997's Sevens, Brooks was an unstoppable force, taking country music to a new level in album sales, hit songs, and concert tours along the way. When he exploded onto the scene with his self-titled 1989 debut album (eventually awarded coveted Diamond status), Garth Brooks completely changed the game. In country music, you can pretty much divide history into two eras: BG and AG - Before and After Garth. When his 2019 Stadium Tour was announced, with plans to bring his bigger-than-life live show to some 30 stadiums, it became obvious that Brooks still had no intentions whatsoever of slowing down. His World Tour that began in 2014 lasted all the way through 2017 and became one of the biggest-grossing concert tours ever. Since his 2014 comeback with Man Against Machine, his tours have been bigger than ever. It's not insignificant that he was one of the first country stars to popularize the wireless microphone onstage, because the ability to race around the stage like a country Bruce Springsteen and get the crowd fired up is an important part of Brooks' concert agenda. It was Brooks who brought the scale, energy, excitement, and pageantry of a major rock concert to the world of country, and tons of Nashville superstars have been following his example ever since. Garth Brooks rewrote all the rules of country music, and that goes for concerts as well as recordings. ![]()
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